red dress couture backless 1970s Epic Fully Beaded Couture Backless Bias-Cut Trained Gown Ensemble
SKU: 89078584795
red dress couture backless

red dress couture backless 1970s Epic Fully Beaded Couture Backless Bias-Cut Trained Gown Ensemble

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red dress couture backless 1970s Epic Fully Beaded Couture Backless Bias-Cut Trained Gown EnsembleID: 0729232 Size: small Condition: Excellent An unbelievable, museum worthy late 1970s fully beaded hourglass trained glam rock custom couture gown ensemble by David Fernandez. Though not a household name, he is a beloved Puerto Rican fashion designer who is known for his complex beadwork and seductive silhouettes. In 1985, Miss Puerto Rico would take home the Miss Universe title, and David Fernandez not only designed her evening gown but she received

ID: 0729232
Size: small
Condition: Excellent

An unbelievable, museum worthy late 1970’s fully beaded hourglass trained glam rock custom couture gown ensemble by David Fernandez. Though not a household name, he is a beloved Puerto Rican fashion designer who is known for his complex beadwork and seductive silhouettes. In 1985, Miss Puerto Rico would take home the Miss Universe title, and David Fernandez not only designed her evening gown but she received the highest score in that category. From the sculpted backless bias cut gown to the detachable bold shoulder op-art draped train, he creates two epic looks in one. The fabrication is truly magnificent; thousands of sparkling glass-beads hand sewn into the most sensational pattern work. The dress totally has that Cher in Bob Mackie vibe while the added jacket overlay brings a bold David Bowie glam rock element which was so celebrated during this time. I adore the rhinestone sparkle and playful beaded fringe he chose to add to the jacket vest. I also love the fire flame colors which really bring this look to the next level. The vibe reads so modern, not only does it deserve another moment in the spotlight but it will most certainly steal the show. We added many pictures so you can all marvel at this masterpiece. A one of a kind, museum worthy slice of wearable art that would make an epic red carpet moment.

Measurements
Gown
Bust: 32-33 inches
Waist: 24-25 inches
Hips: up to 36 inches
Total Dress Length: 56 inches (not included trained jacket)

This gorgeous late 1970's David Fernandez custom couture fully-beaded gown ensemble is in wonderful wearable condition. Presents beautifully. It is true couture made with real glass beads, so the dress weighs around ten pounds and the trained jacket around twenty pounds. Incredible work. Original back zipper in place. Dress is completely lined and trained jacket has protective plastic underskirt. Only sign of age are some missing beadwork and rhinestones which is not noticeable when worn. Please message for detailed pictures. Truly an unforgettable epic look.

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SKU: 89078584795

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Anthony Gagliardi
Port Orchard, US
★★★★★ 5
Good book
Format: Paperback
Good book
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Reviewed in the United States on July 28, 2021
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tyrone
Boise, US
★★★★★ 5
Bought it for me and a friend
Format: Paperback
Excellent Book ! A must read ! TYRONE C .
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Reviewed in the United States on June 15, 2019
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CJ
Phoenix, US
★★★★★ 4
Buy it
Format: Paperback
Just finished reading it. It’s a good, easy read.
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Reviewed in the United States on June 8, 2019
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MW
Phoenix, US
★★★★★ 5
Quality Book
Format: Paperback
Quality book.
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Reviewed in the United States on December 14, 2019
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Michael Burnam-fink
Dallas, US
★★★★★ 5
There is a war... for your Mind!
Format: Kindle
"There is a war... for your Mind!" That's the slogan of InfoWars, the incendiary conspiracy news network and nutritional supplement marketing firm. And while Alex Jones is wrong about almost everything, he's right about that. In LikeWar Singer and Brooking ably synthesize a sophisticated picture of information warfare in 2018, drawing from sources as diverse as Taylor Swift, Donald Trump, and ISIS, to argue that the internet has lead to a blurring of lines between consumer, citizen, journalist, activist, and warrior which threatens the foundations of liberal democracy. The tech companies which built these platforms and profited from them must grapple with the politics of their technologies, before we all reap the whirlwind. Computer networks and smart phones connect billions of people, allowing ideas to flow faster than ever before in history. Sometimes, the results can be impressive. The Chiapas Zapatista movement in 1994 was a dial-up and fax version of a network insurgency that managed to bring enough international opprobrium on Mexico that the government blinked, and reached some kind of political accord (Chiapas is complicated). More recently, Eliot Higgins and a team of open source analysts at Bellingcat managed to track down the exact BUK missile system and Russian soldiers responsible for shooting down MH 17 in 2014. But there are a lot of dark sides. When people connect, the emotion that spreads most rapidly is anger. Lies spread five times faster than truth. Musicians can use social networks to directly connect with their fans, and ISIS uses it to connect with alienated Muslim youths worldwide. Social networks sort diverse citizens into filter bubbles of people who think alike. Eliot Higgin's careful open source intelligence has a paranoid fun-house mirror version in the QAnon conspiracy, where Qultist decoders find hidden messages from an alleged 'senior white house source'. And then there is the matter of information war, an area that even now, after years of offensive cyber operations, liberal democracies still don't understand. Hostile propaganda slips into Western news networks and major platforms like Twitter, Facebook, and Instagram are infested with bots. LikeWar can even take a personal toll. Over the course of writing this book, General Michael Flynn went from forward looking full-spectrum commander to head Trumpist conspiracy cheerleader to indicted and plead out felon. Flynn's fall is complex, but it can't be separated from the internet. If the trolls got him, what chance does your idiot cousin stand? The counters, 'citizen truth teams' and senior emissaries to groups vulnerable to recruitment, seem like thin reeds against the coming maelstrom of noise. LikeWar starts with Clausewitz's dictum that war is a continuation of politics by other means, and there are clear links between cyberspace and physical space. Intensity of hashtags impacted the subsequent intensity of Israeli airstrikes during attacks on the Gaza strip. ISIS used propaganda to create an aura of invincibility that outflanked the defenders of Mosul, while Russia denied that its 'little green men' were even in Ukraine. But the difference is that cyberspace is constructed space rather than natural space. The networks are built, maintained, and owned by real corporations and real people. The internet grew from an anarchic specialized scientific network to a major engine of commerce and communicate with little deliberate government oversight. Section 230 absolved American companies of responsibility for policing content, with major carve outs for copyrighted IP and pornography. Yet as concerns over cyberbullying and counter-terrorism rose, major networks adopted digital constitutions that were permissive towards speech and censorious towards erotica. Policing content is and was possible, but always took a back seat to growth and engagement, the guide stars of Silicon Valley. The future is if anything, darker. Advances in machine learning and AI allow ever more realistic bots, computer generated DeepFakes where a politician can be programmed to say anything, and personalized targeting of people with exactly the propaganda they'll believe. There are defensive counters, but if I might draw military analogies, what we saw in 2016 was armored warfare circa 1918: clearly the future, but not yet a mature system. Given the pace of technology, we only have a few years before digital blitzkrieg. I'm extremely online, and I've been following this space for years. I've presented at multiple conferences on this topic, including Governance of Emerging Technologies and Association of Internet Researchers. LikeWar is the book I wish I'd written. Cognizant, forward looking, and deeply researched, it is vital reading for anyone interested in technology or politics. My only reservation is that I wish the sources were better linked in the text, instead of being buried in static endnotes. Maybe the next edition will push an update.
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Reviewed in the United States on October 19, 2018

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